Wednesday, 15 March 2017
If the rumours are to believed yet another familiar being is to return in the next season of Doctor Who. Thats Daleks, Mondasian Cybermen, Missy and possibly Ice-warriors. It might well be Peter Capadi's last series but they seem determined to make it one to remember.
It looked and felt different.
Something had changed.
This season six of Tom baker's Doctor stories for Big Finish takes place round about this time and it feels like it. It is a proper pea souper guv' an' no mistake. Spooky goings on around the Palace Theatre involving a savage beast that eviscerates its victims and a mysterious gentleman thief who comes and goes unseen by all. The Doctor, K9 and Romana team up with their ever reliable and indefatigable investigators of the infernal; Jago and Litefoot. ( Big Finish' Jewel in the Crown. Honestly.) I felt like cheering when I heard these old familiar voices engage with each other It rather felt like a slightly unfamiliar chorus from a Christmas Carol you know you heard some time long ago. Even the clapping audience, within The Palace Theatre, responding to K9's on stage red-herringry had a familiar echo of The Good Old Days.
There is a Saturday Night winteriness to proceedings. Time travel using the ear as a the ultimate difference machine. A lovingly crafted recreation of the atmosphere of what turned out to be the final series for the High Church Who himself. Take a look at the referenced image of Baker from this period used on the cover of this CD story. It strikes me that distant stare of his is because he sees an ending on the horizon. I did not know it then and I hope this is not the case now.
That final season with Tom Baker where John Nathan Turner really took over the reins on the show was so much more ambitious and diverse than many give it credit for. Although the Big Finish seasons do not have a an overarching dominant thread they are generally just as ambitious and diverse and I do mean that in a most complimentary sense.
Hurrah for the stories yet to come.
I am doing it even as you read this.
I think this is the third adaption of a Douglas Adams script from around the 1977/1978 originally broadcast episodes that have been published in the last two years or so. Hardy and reliable hands bravely tackling material generated from one of the most original and highly regarded minds ever to work on the original series. The other two stories were adapted from scripts that for very different reasons are remembered for extraordinary reasons(City Of Death achieving the highest viewing figures for a single episode and Shada being a story that was neither completed nor broadcast for that very reason.) The Pirate Planet , the second story in the key to time season, is probably the less fondly regarded awkward cousin who came to visit once and has been talked about for all the wrong reasons.
This reworking of the existing material and some unseen archive work should go a long way to correcting that impression if not disolving it entirely. James Goss has done some dazzling tinkering on that combination of Adam's treats as well as bringing his own considerable abilities to the table. I have to say that after a lifetime of reading Doctor Who novels and novelisations and stand alones and special editions, Virgin and BBC books that this one stands out heads and shoulders above so many of them for one amazing reason; He so captures the mercurial and unpredictable nature of Tom Baker's performance so perfectly it is frenetic even on the written page. A Joy! It is the raw energy and enthusiasm for the ideas and the characters that really jumps from the book transmogrifying the bonkers original material into an enjoyable feast for the imagination.
And there is also the pleasure of seeing old ideas refreshed; the Mentiads referred to as The Mourners, the characters original name in Douglas Adams notes apparently. Never knew that..Great!
Treat yourself.Bound into Spring with this slice of Whovian magic.
Its all so improbable you know it has to real on some level
I do not know if bow-ties are cool. I am a terrible judge of such things.
But I would dare to say that primates in bow-ties are definitely cool.
Tuesday, 7 March 2017
I do hope they incorporate elements of the amazing Big Finish story Spare Parts. In that story The Doctor and Nyssa arrive at a crucial time in the history of the doomed planet Mondas when things could have gone any which way. The writer Marc Platt crafted a scary and very moving meditation on the dangers of scientific hubris when confronted with an extinction level series of events. And Peter Davison and Sarah Sutton really rose to the occasion with material that surpassed many of their on-screen stories.
I do believe that Peter capaldi is about to reward all the fans who have had faith in him.
Thursday, 2 March 2017
I had been thinking about Shaw's question to the Engineer "Why do You Hate Us?". I thought about some remarks Ridley Scott had made in an interview around the time of Prometheus original release.about The Engineers sending us an emissary and something we may have done to harm that visitor. I thought about that and the time scale revealed in Prometheus. How long The Engineer ship had lain on that alien world since its original mission had been abandoned two thousand years ago and the major event which had played out here on Earth during that same time period. How Ridley Scott hinted at the mistreatment of their emissary and its possible gruesome end on a cross.I think it was just a thought exercise on Ridley Scott's part and was never intended to form part of the mythos they were building. Still..
Sunday, 26 February 2017
Amongst the eighteen stories between its cover I found a couple of Stand outs . Being drawn naturally to the outre and the Pythonesque I thought I would enjoy the small town horror aspects of the collection mostly but was surprised to find them gravitate towards the Science fiction/fantasy elements. For instance I very much enjoyed the high adventure space opera that is the story Jason Zephyr And The Ascensionauts. Its told in a grand way on a grand scale and is full of razors edge tension and a universe of hostile aliens harbouring dangerous intents. The Long Day And Night Of John Calisto is a remarkable story that lays bare the complex internal life and external difficulties experienced on a daily basis by a young man with a crippling disease. The details of which are within the story and waiting for you. This story continues an honourable tradition within science fantasy of brutally honest memoir cloaked in fiction. I believe the details of this story will stay with you long after one has read it and could easily sit comfortably with the best of Assimov, Aldiss or Moorcock.
Jonathan Fisher has a condition called Addison's Disease, a rare enough condition which at its worst left him in a coma and fighting for his life at the age of twenty two. During this time Jonathan suffered brain damage and has been left wheel chair bound. Despite the brain damage and the related damage done to his body he as soon as he was able embarked on a long hard road to rebuild himself to good health. It was a mammoth task but he has managed, against the odds, to regain as many of the skills he lost as a result of the Addison incident .Jonathan's medical condition will require long term support with many of his physical needs assisted by nurses and care workers he speaks about in glowing terms, if we are to assume the details of this story are indeed autobiographical.One should not always assume such as we are in the hands of a writer of fiction who can quite convincingly project us in any direction he wishes us to go.
Jonathan's writing suggests a mind hungry for exploration and input who has determined that if Jonathan cannot go to the mountain then Jonathan will bring the mountain to him. The book is full of comic book, filmic and pop cultural references all told with a peculiarly Norther Irish accent. Well, it is peculiar in the sense that all Northern Irish accents are endearingly peculiar. It seems that he strives on a daily basis to resist the implications of the limitations imposed upon him by the impact of Addisons on his life.
I suppose to a large degree every human being must come to terms with the limitations of the bodies we pass through life in. Few of us are as strong or as fast or as healthy and energy imbued as we would like to be and it is our struggles to overcome those limitations which can come to define us. His work is by turns funny and scary and made up of all the things that go into creating something that feels real from a something which is not.
In that sense alone Jonathan is faster and stronger than most of us.