Saturday, 22 July 2017
In one of her surviving stories, the legendary Tomb Of The Cybermen, there is a wonderful dialogue between the Doctor and Victoria as they try to settle for the night in the terrible Tombs on Telos. A scared Victoria sits wide eyed discussing with The Doctor how her whole world has changed since her father was murdered by the Daleks and she has elected to travel with him. What followed was a little pieceb of Doctor Who magic delivered to her by a Patrick Troughton who was on top of his game.
Victoria; You probably can't remember your family.
Doctor; Oh yes, I can when I want to. And that,s the point,really. I have to
really want to, to bring them back in front of my eyes. The rest of the time
they sleep in my mind and I forget. And so will you. Oh yes, you will. You
find there is so much else to think about. To remember. Our lives are
different to anybody else's That's the exciting thing. There's nobody else
in the universe can do what we do.
All the while there is the haunting refrain of a soundtrack that reminds us we are in a very scary place where death only sleeps.
Not so the real world.
Deborah Watling was by all accounts, I have heard and read ,a gentle and very beautiful person and I believe she will always occupy a very special place in the hearts of Doctor Who fans
the world over.
Thursday, 20 July 2017
It is a remarkable piece of work. One of the most ambitious and yet sadly grounded biographies I have read. It is a memory play, a guessed at account of the interior monologue of one of the most beloved media figures of the previous century, an honor he shared with the other half of this dynastic comedy duo. Stan and Olly, Laurel and Hardy, The Fat One and the Skinny One, all their names are remembered with a degree of affection rarely afforded to on screen figures. They worked for it though. Success did not come easily and the rewards themselves came to perilously close to destroying them. Stan Laurel had a difficult time off it. He married too many times to be considered anything but tragically foolish. He seemingly fell for the charms of some who possessed few and paid dearly, in every sense, for what little love he managed to find. It is a heart breaking story but one that is hard to break away from. There are so many familiar names and Hollywood events seen through the skewed prism of reality. Oh yes, the lies and unreality generated by the studio press offices are more easily and comfortably digested than the unsettling truth. There are insights aplenty and surprises abound as a rock is lifted and the squirming lifeforms below scramble for the safety of invisibility once more. For instance, seeing Hal Roaches name above the credits for a Laurel and Hardy short will never seem the same. It will not change a single thing about the work itself or the fact it is universally funny but there is a cadence there, the faintest trembling of a tuning fork, a vibration signalling a bum note.
Read the book and you will know why I feel this way.
You will, your self.
Sorry, just went all Yoda then.
I think I was left feeling that the relationship between Stan laurel and Oliver Hardy is complex and yet serenely simple; as adults they were lucky enough to share the loyal friend ship one generally only finds in childhood. There are two memorable descriptions within the text which to a degree sum up similar feelings; "..They are yoked together by forces beyond contracts, beyond friendship. Their lives have become reflections, each of the other, an infinity of echoes."
And more simply but no less telling, Stan Laurel remembers his pal , Babe as he knew him, once said to him; " I am starting to believe, Babe says, that your existence and mine are like two balls of string that have become entangled."
John Connolly has skillfully recreated the unseen side of a perceived golden age and yet it also a compassionate study of the tensions between commercial demands and popularity and the almost unattainable artistic integrity gifted people destroy themselves in pursuit off. for all that it is no less a love letter to one of the most enduring and beloved partnerships in cinema history.
One of my own personal quirks, and I do believe it is quite common to many other fans of Doctor Who no matter how long they have been following the series, old and new, is that it takes a bit to see past the new incoming actor and see The Doctor. With some it happens more quickly than others. Then the moment comes and I go "Aaah,there you are,Doctor."With Jodie Whittaker it took about fifty five seconds.
We can see you Doctor.
Tuesday, 18 July 2017
Benjamin he formed just one half of one of my very favorite duos in the history of my favorite show.
The Jago And Litefoot CDs from Big Finish were among my best buys for a few years now. The chemistry between the two leads was so strong many of those tales play out visually in the ramshackle theater of my imagination as if I had seen them rather than just heard them.Warm, witty and infernally inventive a succession of clever writers and very talented producers and performers brought their tales alive and will remain so as long as those CDs are available.
The origin tale of their adventures was the classic era Talons Of Weng Chiang and it was a good many years until they were reunited in an equally classic tale, presented in a slightly different medium, The Mahogany Murderers. Emerging from the swirling fog of history in every sense Jago And Litefoot were constantly on the trail of the rum and the uncanny. Just a joy to listen to and I have passed many a wintry evening in their company.
Over that time I have grown so fond of that pair of chums and their friends Ellie and Quick.
The extras on the CDs in which the actors and writers and producers discussed the recordings and their lives were just gravy, rich and saucy and full of life and so full of laughter and joy. One felt one knew them if only because of this intimate proximity to their garrulous bonhomie. It is hard to imagine no more nights in the rowdy bar of The Red Tavern. It was a blessing off course to meet them again and to share in their adventures way past the point of that Doctor Who yarn oh so very long ago and faraway.
Somewhere foggily familiar the game is always afoot and Jago And Litefoot are in pursuit of their eternal infernal incidents and investigations.
Sunday, 9 July 2017
Dave Maulding is a comic book script writer who has been seeding his scripts with dangerous information, such as how to make home made bombs, how to distill poisons from things you can find at home and all manner of reckless stunts. It is all very like a Blue Peter guide to self harm and home destruction. he does this quite deliberately in the hope his gullible and innocent readers will absorb this information and in doing so harm themselves. He is a sneaky poisoner of innocence who justifies his warped agenda on the grounds of seeking retribution for his own suffering at the hands of a cruel and malicious newsagent. Hmm, never thought I would have cause to type in that particular set of variables.
Dave Maulding is also having mother problems. The er,mother of all mother problems. She constantly pops up at the most unexpected moments, giving unasked for advice on eberyuthing from how to dress to how to date. She is also dead. Very dead, very murdered. Done away with long ago and buried behind a wall while her son grew up believing she had abandoned him for a better life.
And this is not even the worst or most awkward thing which is happening to him. You see, Dave maulding has a compulsive fetish for.., Well, you read the book and you will see. All these things conspire to make Dave Maulding something of a remarkable shite of a human being by anyone's standards much less the dubious moral standards, or lack of them, set by the general tone of the world he inhabits. I had sort of expected a Rigsby-like comedic drama which also told a little known history of The British comic era of that period, and it was that and so much more. By that I am referencing the classic Rising Dampness of Eric Chapell's unforgettable Yorkshire television series. A snow globe perfectly capturing the seediness and run down quality that so permeated British society in those days.
Millions of children grew up reading the dandy, The Beano, The Topper, Beezer,, Bunty, Tiger, Lion And Thunder and so on and so forth. Newsagents racks were an explosion of color and the main support for a universe of quirky and terribly British eccentric characters, many of whom were household names. They cost a pittance and sadly paid a pittance to their mostly unnamed and unrecognised creators. Yet change was on the way, in the years to come all these wonderful titles would disapear one by one. Its still quite a way off but the ch-cha-changes are starting to take form, creators are beginning to ask themselves questions one would take quite for granted now. The titles themselves are still selling in huge amounts although the hands on the rudders are cold steely and driven by leaden souls. The fading tacky Glam that distracted for a while, it is still the early seventies after all, is crumbling into nihilism for a generation that has come to believe it has no future. The readership, at street level, are desperate for heroes of another kind and those characters of a swarthier nature are going to answer the doorbell before too long, kicking the door down and setting the building on fire in the process. the pieces on the board are being vandalised, the rules are changing and a new game is about to begin.
Read Em And Weep; Serial Killer is by Pat Mills and his creative partner Kevin O Neill who have worked together for so long and on so many subversive and much loved characters they have most likely formed a sort of creative telepathy and as such it is difficult to judge who has the most input on this novel. Who would want to anyway, there is no contest. They are equally to blame for this very funny and wicked comedy of terrors.
Its the first part of a four book series, a quartet of cringe inducing awkwardness and Carry On Comics hilarity. Read it and weep with laughter.